It was too experimental for her taste.Ī week later, another death was reported. When she listened to his track, she discovered a bizarre intro filled with shrieks and snares. He seemed exhausted, like he had worked all night. When she entered the studio at the brink of dawn, she was surprised to see Ji-Woon already there. Returning to Seoul, Yun-Jin worked with Ji-Woon on his new material. What if the serial killer was an unhinged fan fixated on the Trickster, inspired by the artist's morbid songs? She was weary after the loss of NO SPIN and anxious to preserve her artist, so she increased the Trickster's security detail. This connection unsettled Yun-Jin as she noticed that the tour dates coincided with the victims' time of death. Yet disturbingly, so did a series of eccentric murders. Together, Yun-Jin and The Trickster toured the world. Ji-Woon's song was a global phenomenon, its universal themes of grief and guilt resonating internationally. He would embody both fear and awe like the legendary dokkaebi spirits. Yun-Jin cleverly launched the song under Ji-Woon's newly adopted stage name: The Trickster. The music video showed Ji-Woon saying goodbye to each member of NO SPIN. She pushed him to tap into his grief and create a song exploring the pangs of sudden loss. Unknown to Mightee One Entertainment, she created new tracks to re-launch Ji-Woon's career. But she refused to be a victim who watched helplessly as vultures swooped in to take what was hers. She would be shelved while Ji-Woon would rot away as an instructor for idol trainees. A goliath of flames engulfed the building, slowly tamed by the steady streams of fire hoses.Īll members of NO SPIN perished in the fire except one: Ji-Woon. Only when she bolted out into the street that she realized NO SPIN was nowhere amongst the coughing crowd. Concerned for her safety, Yun-Jin hurried to evacuate the building and left the dallying staff behind. As they were recording new tracks, the fire alarm suddenly blared. The success of the first album broke records, setting the bar high for NO SPIN's second. She moved into a penthouse and dined with socialites in skyline restaurants with breath-taking views of Seoul. Adorned in high fashion to attend luxurious events, Yun-Jin's harsh, impoverished childhood seemed far behind her. Their success cemented Yun-Jin’s reputation as a shrewd producer. Within hours their first video was a viral sensation. She re-launched NO SPIN with Ji-Woon as its newest member. Through her contacts in talent shows she found the edgy, raw sound of Ji-Woon Hak. Fans began to recognize her songs and she became the producer of NO SPIN, a poorly performing boy band who needed her special touch.ĭissatisfied with NO SPIN's commercial sound, she sought a rogue element to make the band stand out. To get her dues, she emerged in the public eye wearing flamboyant fashion and put soundbites into her songs that looped her artist name, Magnum Opus. For the following years, she created some of the studio's biggest hits, without any credit or recognition. She was rejected as an idol trainee but obtained an unpaid internship at the studio. Every night she sang until they both fell asleep.Īt seventeen, the renowned record label Mightee One Entertainment came to her high school to audition talent. Since her parents worked day and night to pay their debt, Yun-Jin became her sister's caretaker. They moved into a windowless, two-bedroom basement. Yun-Jin held her four-year-old sister tightly as she cried. The creditors took everything they owned, including the house. Her family was heavily in debt and did not make the payments in time. When she turned ten, however, she lost her instruments. Resilient and ambitious, Yun-Jin was born into a life of hardship finding success in the music industry after years of effort and self-sacrifice.Īs a child Yun-Jin was fascinated by sound, mimicking drums, and hitting keys on the piano. Additional Lore can be found in Tome 9 - Crescendo: Chorus of Lies.
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